
EGGSCAPE
Other movies

FRONT ROW
Director: Merzak Allouache
Zhola Bouderbala and her five children wake up at dawn on a hot day and prepare to spend their first summer’s day at the beach. It is imperative to get there early, in order to get a spot in “the front row”, with an uninterrupted view of the beautiful sea. As the first to arrive, the family settles at the water’s edge; an idyllic day beckons. Then, when another family arrives, there is an unexpected disaster. Merzak Allouache, whose earlier film Omar Gatlato marked a turning point in Algerian cinema, gives us characters with wit, zest for life and an and endearing innocence. His ongoing exploration of contemporary Algeria, in all its charm and complexity, confirms his status as a cinematic pioneer.

SUKKAR: SABAABAA W HOUBOUB AL KHARZIZ
Director: Tamer Mahdy
A beautiful day turns into a miserable one after the whole city gets infected with chickenpox. The children and the workers in the orphanage get infected as well and they try their best to figure out how to cure themselves. A doctor develops a vaccine for the disease against the approval of the policemen in the city. The children visit a magician called Frotto so he would cure their chickenpox. The children are rushed to the hospital after Frotto's failed attempts to cure them. An angel sent from heaven called Anisa, guides the children after they reach the hospital and she stays with them until the vaccine that is being developed by the doctor gets approved. The annual Circus visits the city and the children get invitations from Daddy- Long-Legs. After attending the Circus, Sukkar and her friends realize that the animals are being mistreated and they make a plan to save them. Sukkar celebrates her birthday in the orphanage with her friends. As a gift, Daddy-Long-Legs grants Sukkar a once in a lifetime opportunity and he sends her to a private school. The children get emotional and a feud occurs between Tarek and Sukkar. The children follow Sukkar to the train station to say goodbye for the last time but they get shocked at the quick transformation that happened with their dearest friend.

HOBAL
Director: Abdulaziz Alshlahei
Liam of 80 years embraces the belief in the proximity of the "Hour of Resurrection" after the emergence of signs confirming his claim, the latest of which was the outbreak of the second Gulf War, which makes him insist on staying away from people and forcing his family with him to be cut off from all means of civilization so as not to be inflicted by torment, so the family obeys his instructions except "Assaf" who loves his cousin "Reefah" who is infected with "measles" after it spread within the family and fears that death will take her from him after his cousin died with the same disease, and tries to escape with her for treatment in the city that he has not seen since he was created, and repeats attempts until the opportunity comes to save her, which is not in his favor after he was encouraged by Grandfather Liam disappears in one of the ground cavities "Dahl" in the desert, and to remain confused whether he is alive or dead, which causes a conflict between his children so to who remain committed to his instructions, which stipulate the approaching hour and those who decide to disregard them.

MOON
Director: Kurdwin Ayub
Sarah, a former mixed martial arts champion in Austria, knows she needs to make a new start. While her sister urges her to start a business, she jumps at an unexpected offer to go to Jordan to train three teenage daughters of a dazzlingly rich family living in an isolated, fiercely guarded mansion. Sarah soon sees that the girls don’t want to train, but have little else in their closeted lives: no internet allowed, no friends and only rare outings to the mall, where they are closely watched, for entertainment. The house, moreover, seems to hold its own secrets; why is Sarah forbidden to go upstairs? Director Ayub maintains the tension of a thriller in this story of life in a golden cage.