Skip to content
PG

DUSK

Genre
Drama
Running time
16 minutes
Year
2023
Language
Wolof
Subtitle
English
Country
Senegal
Director
Awa Moctar Gueye
Bio
Producer
Chloé Ortolé
Cast
Mor Talla Fall, Mouhamed Aw, Maïmouna Ly, Ndèye Thioro Camara, Abdou Camara, Djiby Camara, Cheikh Ahmadou Bamba Traoré, Binta Traoré
Scriptwriter
Awa Moctar Gueye
Pa Kong-Kong is a mysterious man. Nobody knows what he carries in the strange bag on his shoulders, but rumour has it he tortures little thieves, runaways, and naughty children. He lives alone in Ñetty Mbar, a deserted, gloomy market in the suburbs of Dakar where a monstrous dog lurks after dark. It is no place for children, but that won’t stop Binta, a curious and courageous girl who has just drawn the white marble that makes her leader of her kids’ gang. She decides she will go and confront Pa Kong-Kong on his home turf. She’s scared but determined to prove that girls can be leaders. Off she goes. At the market, it is pitch dark. Binta steps forward. What will she discover?

Other movies

RAVENS

Director: Mark Gill

Acclaimed Japanese photographer Masahisa Fukase, who died in 2012, was best known in his lifetime for his photographic book The Solitude of Ravens (1976-82), with its bleak images of distant birds evoking themes of isolation and tragedy. That work was his response to his divorce from his second wife of 13 years, Yoko Wanibe, which left him devastated. During their tumultuous years together, he photographed her constantly; she was a model, collaborator and object of his obsession. Tadanobu Asano, who was Emmy-nominated for Shogun, plays Fukase in this intense portrait of a passionate man caught in a love triangle between his wife and his art, incarnated here as a talking raven – a humorous touch to this profound exploration of love and loss.

AÏCHA

Director: Mehdi M. Barsaoui

Aya is the sole survivor of a bus crash on a mountain road. When she realises that nobody knows she is alive, she makes a snap decision to escape her dead-end village existence and become someone else. In thriving, liberal Tunis, she calls herself Amira, a thrilling change until one of those men is murdered and the investigating police start to question “Amira”’s sketchy life story. Fatma Sfar is vivid and immediately sympathetic as Aya/Amira, while narrative twists and nested details gradually reveal that she isn’t the only trickster with something to hide. Aicha was judged Best Mediterranean Film from the Academy of Fine Arts at this year’s Venice Film Festival.

LITTLE JAFFNA

Director: Lawrence Valin

“You’re not in Paris any more. You’re in Little Jaffna.” During the civil war in Sri Lanka that raged from 1983 until 2009, Tamils in the Parisian district of Little Jaffna were forced to contribute towards buying arms for Tamil Tigers. Aya, ostensibly a grocer, leads the ruthless extortion gang that bleeds the community dry. Michael, a straight-shooting young police officer with Tamil roots, is sent to infiltrate the organization but as he befriends the gang’s members at terrible risk to himself, he starts to see the issue in a more nuanced way and feels his loyalties shifting. Valin combines the theatricality of Tamil movies with the hard edge of new French cinema, using largely non-professional actors, in this spectacular thriller.