COPA 71
Genre
Documentary
Running time
90 minutes
Year
2023
Language
English, Spanish, Italian and French
Country
United Kingdom
Director
Rachel Ramsay, James Erskine
Bio
Producer
Victoria Gregory, Jannat Gargi, Anna Godas
Cast
Scriptwriter
Rachel Ramsay, James Erskine, Victoria Gregory
August, 1971. FIFA may have refused to recognise the event as the first Women’s World Cup, but that didn’t deter the teams who came together from England, Argentina, France, Denmark and Italy to play against each other in Mexico. For the teams, it was a huge event: sponsorship was lavish, there was merchandise on every street corner, 110,000 roaring fans filled the historic Azteca stadium with noise and the players were treated like rock stars. In this captivating documentary, those pioneering women tell joyous stories of an international landmark event, while current players ask why they have never even heard of it. As a women’s event outside FIFA’s control, it was simply written out of football history – until now.
Other movies
In-Conversation with Jeremy Renner
Director: Jeremy Renner
Two-time Academy Award nominee Jeremy Renner has established himself as one of Hollywood's most versatile and respected actors. Throughout the 2000s, he appeared largely in independent films, including “Dahmer” and “Neo Ned.” Shortly thereafter, he began starring in blockbuster features, earning critical acclaim for his roles in “The Hurt Locker” (Academy Award nomination for Best Actor) and “The Town” (Academy Award nomination for Best Supporting Actor). Renner's career expanded with significant roles in major franchises, including “Mission Impossible - Ghost Protocol” and “The Bourne Legacy.” He also originated the role of “Hawkeye” in the Marvel Cinematic Universe (MCU) “Avengers” films, becoming a key figure in the superhero genre. Renner's impressive filmography includes starring in the award-winning movie “American Hustle,” the science fiction hit “Arrival” alongside Amy Adams, and the critically acclaimed thriller “Wind River.” On television, Renner played the titular character in Marvel’s series “Hawkeye” for Disney+ and he currently stars in one of Paramount+’s top-performing original dramas, “Mayor of Kingstown.” Additionally, he starred in Disney+’s four-part docuseries “Rennervations.” Beyond his acting career, Renner is dedicated to philanthropy through his foundation, the Rennervation Foundation, which focuses on various charitable initiatives.
MONSIEUR AZNAVOUR
Director: Mehdi Idir
Charles Aznavour, the son of Armenian immigrants who became a defining voice of France, died in 2018 aged 94. Two years later, his sons, Mischa and Nicolas, announced they had been working with their father on a biopic to be released this year: Aznavour’s centenary. This stunning musical drama is an intimate portrait of the artist’s life that's packed with biographical information. Growing up in poverty gave him an unswerving determination to reach the top; by the 1940s, he was playing cabarets with Pierre Roche, but his ambition was a solo career and a mass audience. Tahir Rahim plays Aznavour in a drama punctuated with disarmingly honest anecdotes from family members, giving us both the man and, of course, his music.
MY FRIEND AN DELIE
Director: Zijian Dong
This remarkable adaptation of Shuang Xuetao’s novel is the debut film from actor-turned-director Dong Zijian that flashes back and forth in time to tell a touching story of friendship and family strife. Following his father’s death, Limo (Liu Haoran) is flying back to his hometown in northeastern China, when he spots his childhood friend An Delie (played by director Zijian) (Dong) on the plane, who fails to recognise him. When their flight is diverted because of heavy snow, the duo go on a journey that brings back long-forgotten memories in which Limo has to deal with the demons from his past. Beautifully photographed by Pema Tsedan across two time periods, the film shows the long-term emotional impact of the traumas of our childhood.
HOLES
Director: Abdulmohsen Aldhabaan
Rakan and his wife Rim are looking for an apartment to rent instead of living with his aged mother. It seems they have found the right spot, except for the hole in the wall that looks as if someone bashed it with a hammer. Rakan seems strangely unengaged, however, barely speaking to his wife. Gradually, as we slip from present to past, we piece together the story that explains his barrage of unwanted calls, chance encounters with shady characters and outbreaks of violence. When his mother’s home is burgled and she is attacked, he is confronted by the person he least wants to see.
