CHICKEN RUN: DAWN OF THE NUGGET

Other movies
LOST LAND
Director: Akio Fujimoto
In this quietly powerful, first-ever Rohingya-language feature, Japanese filmmaker Akio Fujimoto offers a haunting, intimate portrait of two siblings fleeing persecution in Myanmar. With nothing but vague directions and each other, nine-year-old Somira and her younger brother Shafi begin a harrowing journey to join an uncle in Malaysia, crossing borders by sea and land and navigating a world shaped by smugglers, fear and exploitation. With a cast of non-professional actors, most of whom lived refugee experiences, the film blends realism with lyrical restraint. Eschewing melodrama for quiet observation, Fujimoto captures the disorientation of displacement and the uncertainty of fragile hopes. Lost Land is a timely, deeply human reflection on survival, resilience and the Rohingya’s eternal search for a place to call home.
EARLY DAYS
Director: Priyankar Patra
Filmmaker Priyankar Patra captures the zeitgeist of young love in this fresh-feeling romantic drama. The film follows the beginnings of a relationship between Preeti and Samrat, an aspirational couple in their mid-twenties who have just moved to the megalopolis of Mumbai. As they share their love story via reels on social media, where the immediate validation and promises of quick money initially seduces, and then propels them into the world of influencers. The film explores the impact of social media on contemporary relationships, while its cinematography creates an intimate and voyeuristic viewing experience, similar to that that of social media voyeurism. With its topical subject and natural performances, Early Days is a relatable watch.
TWO SEASONS, TWO STRANGERS
Director: Sho Miyake
Adapted from Yoshiharu Tsuge’s manga short stories from the 1960s, Two Seasons, Two Strangers follows Li (Shim Eun-kyung), a creatively blocked Korean screenwriter adrift in Japan. As she imagines a bittersweet seaside tale of two lonely youths crossing paths, a film-within-a-film unfolds onscreen and we realise her own emotional journey is mirroring theirs. Months later, in a snowy mountain village, Li finds connection with a solitary innkeeper, and slowly reclaims her voice, rediscovering purpose and the beauty of the understated. Filmmaker Sho Miyake distills transformation into its quietest form, where meaning clings to the ordinary and unravels in near-silence. The film explores relationships born of chance — not romance or friendship, but something softer, stranger and just as essential.