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PG

BIGMAN

Genre
Family
Running time
89 minutes
Year
2022
Language
Dutch
Country
Netherlands and Germany
Director
Camiel Schouwenaar
Bio
Producer
Reinier Selen, Rinskje Raap
Cast
Maik Cillekens, Anouar Kasmi, Kailani Busker, Mohamed Tijani, Martijn Fischer, Maartje Van De Wetering, Walid Benmbarek, Soufiane Touzani
Scriptwriter
Job Tichelman, Camiel Schouwenaar
Twelve-year-old Dylan (Maike Cillekens) and his best friend Youssef (Anouar Kasmi) live, eat and breathe football. Every evening they train in the park, coached by Dylan’s gruff father Dennis (Martijn Fischer), their sights set on winning a cup awarded by their hero Soufiane Touzani, the charismatic Dutch-Moroccan freestyle footballer. Then Dylan is hit by a car, damaging his spinal cord, meaning he will never walk again. His traumatised refusal to accept this – he has a cup to win! – is heartbreaking for his dad and almost destroys his friendship with Youssef. Fortunately, skater girl Maya gives him hope; meanwhile, Touzani appears as a fantastical mentor, reminding him that when boyhood scoliosis prevented him from playing professional football, he found another way to live his dream. Director Camiel Schouwenaar gets the most from his young performers in this satisfying and often funny story of friendship, perseverance, creativity – and football.

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LOST LAND

Director: Akio Fujimoto

In this quietly powerful, first-ever Rohingya-language feature, Japanese filmmaker Akio Fujimoto offers a haunting, intimate portrait of two siblings fleeing persecution in Myanmar. With nothing but vague directions and each other, nine-year-old Somira and her younger brother Shafi begin a harrowing journey to join an uncle in Malaysia, crossing borders by sea and land and navigating a world shaped by smugglers, fear and exploitation. With a cast of non-professional actors, most of whom lived refugee experiences, the film blends realism with lyrical restraint. Eschewing melodrama for quiet observation, Fujimoto captures the disorientation of displacement and the uncertainty of fragile hopes. Lost Land is a timely, deeply human reflection on survival, resilience and the Rohingya’s eternal search for a place to call home.

الشروط والأحكام المتعلقة بتذاكر أفلام المهرجان

• التذاكر غير قابلة للاستبدال أو الاسترجاع، ولا يجوز إعادة بيعها.
• يُضمن حجز المقعد حتى 15 دقيقة قبل موعد بدء العرض أو الندوة.
• يُسمح بدخول المتأخرين وفق تقدير إدارة القاعة.
• يرجى العلم أن البرامج والجداول والمواقع قابلة للتغيير.
• قد يُطلب إظهار ما يثبت العمر في الأفلام المقيّدة بفئة عمرية محددة.
• يُمنع منعًا باتًا استخدام أجهزة التسجيل أو التصوير في جميع العروض والندوات.
• يمكن لحاملي الشارات إلغاء حجز التذاكر حتى 60 دقيقة قبل موعد العرض عبر التطبيق أو الموقع الإلكتروني أو من خلال شبّاك التذاكر.
• التذاكر غير المُلغاة وغير المستخدمة تُحتسب تحت حكم عدم الحضور .

للاستفسارات والاقتراحات، الرجاء التواصل معنا على البريد التالي:
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أو الاتّصال على الرقم التالي:
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تنويه بشأن التصوير والتسجيل

تخضع جميع مواقع مهرجان البحر الأحمر السينمائي الدولي للتصوير الفوتوغرافي وتصوير الفيديو والتسجيلات الصوتية، ويُمكن عرض كل وأيّ مادة على وسائل التواصل الاجتماعي بغرض الإعلان والتسويق. لذلك ننوّه بأنكم وبمجرد دخولكم لِمواقع المهرجان، فأنتم توافقون على الظهور في جميع هذه المواد الإعلامية دون تعويض. 

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• Tickets are non-exchangeable, non-refundable, and cannot be resold.
• Seating is guaranteed up to 15 minutes before the start of the screening and panel.
• Late arrivals are seated at the Theatre Manager’s discretion.
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• Proof of age may be required for age-restricted films.
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