A BOY WHO CANNOT SEE THE BEAUTY
Other movies
SAIFY
Director: Wael Abu Mansour
At 40 years old, Saify Muhammed is a washed-up confidence trickster who owes money to everyone, including his ex-wife. Now he is trying his hand at blackmail. The year is 2000; Saify has a dilapidated music shop selling cassette tapes, including recordings of banned Islamic sermons he mistakenly thinks will turn an illicit profit. His sermon supplier is Al-Mahdi, shady religious advisor to the local bigwig Sheikh Asaad Aman, who has a name as a philanthropist. When Saify finds one tape containing a scandalous recording of the influential Sheikh Asaad, he thinks he’s finally in the money.
U ARE THE UNIVERSE
Director: Pavlo Ostrikov
Far into the future, Earth is peppered with nuclear waste storage units overstuffed with radioactive garbage which, thanks to an increase in volcanic activity, is destroying the planet. Space trucker Andriy’s mission is to dump this waste on Callisto, one of Jupiter’s moons, from a rig with only a down-at-heel gym and a wise-cracking robot called Martin to keep him entertained. Then he sees the Earth explode behind him. Does this mean he is the last person left alive? Apparently not: the voice of a French woman reaches him from a distant space station. He just has to find a way to blast in her direction. Ostrikov contemplates the awful reality of loneliness, but provides plenty of laughs along the way.
SUPERBOYS OF MALEGAON
Director: Reema Kagti
This entertaining romp is based on the life of Nasir Shaikh, an amateur film-maker from the poor Indian town of Malegaon who was inspired by his love of silent slapstick to make a film of his own, featuring local characters and put together by a crew of friends. As the locals favoured Bollywood escapism, he adapted some of their favourites with the tales transported to Malegaon. People loved it, but their success threatened to split the group, one of whom turned out to have bigger ambitions: a few hurdles had to be jumped before everyone realised what really mattered to them. It is a poignant and at times funny take on film-making, friendship and what happens when those worlds collide.