https:\/\/redseafilmfest.com\/en\/red-sea-souk\/<\/a> <\/p>\n\n\n\nPROJECT MARKET JURY<\/strong> <\/p>\n\n\n\nWael Abumansour<\/strong> \u2013 Producer\/Director, Telfaz 11, Saudi Arabia <\/p>\n\n\n\nCarnival City<\/em> (2020) by Wael Abumansour \u2013 selected for 1st edition of Red Sea IFF <\/p>\n\n\n\nNight Courier by <\/em>Ali Kalthami (<\/em>2023) Selected at 3rd<\/sup> edition of Red Sea IFF and presented at the Red Sea Souk Project Market in 2021 <\/p>\n\n\n\nJean Br\u00e9hat<\/strong> \u2013 Producer, Tessalit Productions, France <\/p>\n\n\n\nProduced 45 films with 11 official entries for the Academy Awards and 4 nominations; 12 awards at Cannes Film Festival, 2 Grand Prizes, 1 Berlinale Silver Bear including: <\/p>\n\n\n\n
France<\/em> (2021) by Bruno Dumont (Cannes) <\/p>\n\n\n\nJoan of Arc<\/em> (2019) by Bruno Dumont (Un Certain Regard Special Mention Cannes) <\/p>\n\n\n\nBelleville Cop<\/em> (2018) by Rachid Bouchareb <\/p>\n\n\n\nLamia Chraibi<\/strong> \u2013 Producer, La Prod, Morocco <\/p>\n\n\n\nMica (2020)<\/em> by Ismael Ferroukhi (Festival du Film Francophone Angouleme 2020) <\/p>\n\n\n\nAchoura<\/em> (2018) by Talal Selhami\u2019s (Best Film Award at Hardline Festival and Jury Special Mention Sitges Fantastic Film Festival) <\/p>\n\n\n\nLas Mimosas (2016)<\/em> by Oliver Laxe (Grand Prize, Cannes Film Festival\u2019s Critics\u2019 Week) <\/p>\n\n\n\nOumar Sall<\/strong> \u2013 Producer, Cinekap, Senegal <\/p>\n\n\n\nAtlantique<\/em> (2019) by Mati Diop (Jury Prize Cannes Film Festival, shortlisted for Academy Awards 2020). <\/p>\n\n\n\nF\u00e9licit\u00e9<\/em> (2017) by Alain Gomis (Jury Prize La Berlinale 2017, Second Golden Stallion at FESPACO 2017, shortlisted for Academy Awards 2018) <\/p>\n\n\n\nTey<\/em> (2013) by Alain Gomis (first Golden Stallion of Senegal FESPACO 2013) <\/p>\n\n\n\nJasmila \u017dbani\u0107 <\/strong>\u2013 Producer\/Director, Deblokada, Bosnia <\/p>\n\n\n\nGrbavica (2006) by Jasmila \u017dbani\u0107 (Golden Bear on Berlinale 2006, Best film at American Film Institute (AFI) <\/p>\n\n\n\n
Quo Vadis, Aida? (2020) by Jasmila \u017dbani\u0107 (Venice Film Festival, Independent Spirit Awards – Best International Film; European Film Academy Award – Best film, director and main actress \u2013 Academy Award nominee in 2021 <\/p>\n\n\n\n
WORKS IN PROGRESS SHOWCASE JURY<\/strong> <\/p>\n\n\n\nGaia F\u00fcrrer<\/strong> \u2013 Artistic Director, Italy. <\/p>\n\n\n\nSince 2003 Head of Programming at the Noir in Festival. Programmer and Head of Programming since the very first edition, in 2020 she was appointed as the new Artistic Director of Giornate degli Autori (Venice Days) <\/p>\n\n\n\n
Wanuri Kahiu <\/strong>\u2013 Filmmaker\/Speaker\/Science fiction writer, Kenya <\/p>\n\n\n\nWashington Black<\/em> (2022 \u2013 Hulu\/20th<\/sup> Century Fox) Adaptation of the book by Esi Edugyan. <\/p>\n\n\n\nLook Both Ways<\/em> (2022 – Netflix) <\/p>\n\n\n\nRafiki (2018) – first Kenyan film to be invited to Cannes Film Festival<\/em> and has since won multiple awards across the world <\/p>\n\n\n\nHaider Rashid<\/strong> \u2013 Writer\/Director\/Producer, Iraq\/Italy <\/p>\n\n\n\nEuropa<\/em> (2020) by Haider Rashid (Independent Critics Prize – Director\u2019s Fortnight Best Director\u202fand\u202fBest Actor Red Sea IFF) <\/p>\n\n\n\nStreet Opera<\/em> (2015) <\/p>\n\n\n\nIt\u2019s About to Rain<\/em> (2013) <\/p>\n\n\n\nSELECTED PROJECTS:<\/strong> <\/p>\n\n\n\nThe Red Sea Souk Project Market <\/strong> <\/p>\n\n\n\nA CHILDHOOD, by Scandar Copti<\/strong> <\/p>\n\n\n\nHybrid Creative Documentary-Animation<\/em> <\/p>\n\n\n\nPalestine, France <\/p>\n\n\n\n
DJELIYA, MEMORY OF MANDING, by Boubacar Sangar\u00e9<\/strong> <\/p>\n\n\n\nCreative Documentary<\/em> <\/p>\n\n\n\nBurkina Faso <\/p>\n\n\n\n
LOVE CONQUERS ALL, by Danielle Arbid <\/strong> <\/p>\n\n\n\nLebanon, France <\/p>\n\n\n\n
MADNESS AND HONEY DAYS, by Ahmed Yassin Al-Daradji<\/strong> <\/p>\n\n\n\nIraq, Canada <\/p>\n\n\n\n
MIRACLE IN CELL NO.7,<\/strong> by Dina Amer<\/strong> <\/p>\n\n\n\nLebanon, UAE <\/p>\n\n\n\n
NOSTALGIA: A TALE IN FIRST CHAPTERS, by Ameer Fakher Eldin <\/strong> <\/p>\n\n\n\nSyria, Germany, Italy <\/p>\n\n\n\n
SADNESS,<\/strong> by Emmanuela Lalanga<\/strong> <\/p>\n\n\n\n1st feature<\/em> <\/p>\n\n\n\nCentral African Republic, France, Republic of Congo <\/p>\n\n\n\n
SELFLESS<\/strong>, by Meriem Mesraoua<\/strong> <\/p>\n\n\n\n1st feature<\/em> <\/p>\n\n\n\nAlgeria, France, Qatar <\/p>\n\n\n\n
TANZANITE, by Kantarama Gahigiri<\/strong> <\/p>\n\n\n\n1<\/em>st<\/sup><\/em> feature<\/em> <\/p>\n\n\n\nRwanda, South Africa, Kenya, Switzerland <\/p>\n\n\n\n
THE RETURN OF THE PRODIGAL SON, by Rani Massalha<\/strong> <\/p>\n\n\n\nEgypt, Tunisia, France <\/p>\n\n\n\n
THE STRANGER, by Gaya Jiji<\/strong> <\/p>\n\n\n\nSyria, France <\/p>\n\n\n\n
THE TREASURE, by Abdellah Ta\u00efa<\/strong> <\/p>\n\n\n\nMorocco <\/p>\n\n\n\n
THREE DAYS 1\/3, by Rakan Mayasi<\/strong> <\/p>\n\n\n\n1st feature<\/em> <\/p>\n\n\n\nPalestine, Lebanon, USA, Belgium <\/p>\n\n\n\n
WHEN I CLOSE MY EYES, I SEE YOUR EYES,<\/strong> by Sameh Alaa<\/strong> <\/p>\n\n\n\n1st feature<\/em> <\/p>\n\n\n\nEgypt <\/p>\n\n\n\n
The Red Sea Lodge Projects<\/strong> <\/p>\n\n\n\nAN ENDLESS NIGHT,<\/strong> by Mohamed Kassaby<\/strong> <\/p>\n\n\n\n1st feature<\/em> <\/p>\n\n\n\nEgypt <\/p>\n\n\n\n
BLACK SNAKE, by Naishe Nyamubaya<\/strong> <\/strong> <\/p>\n\n\n\n1st feature<\/em> <\/p>\n\n\n\nZimbabwe <\/p>\n\n\n\n
BY HASNAA\u2019S SIDE, by Amaal Youssif<\/strong> <\/p>\n\n\n\n1<\/em>st<\/sup><\/em> feature<\/em> <\/p>\n\n\n\nSaudi Arabia <\/p>\n\n\n\n
FANTASTIC TALE, by Vincho Nchogu<\/strong> <\/strong> <\/p>\n\n\n\n1st feature<\/em> <\/p>\n\n\n\nNigeria <\/p>\n\n\n\n
IN THE BEGINNING, IT IS THE END by Ghadeer Binabbas<\/strong> <\/p>\n\n\n\nSaudi Arabia <\/p>\n\n\n\n
MECCA, BERLIN, by Mujtaba Saeed & Ghiath Al Mhitawi<\/strong> <\/p>\n\n\n\n1<\/em>st<\/sup><\/em> feature<\/em> <\/p>\n\n\n\nSaudi Arabia\/ UAE\/Germany <\/p>\n\n\n\n
MY FATHER KILLED BOURGUIBA, by Fatma Riahi & Louai Haffar<\/strong> <\/p>\n\n\n\n2nd feature Documentary<\/em> <\/p>\n\n\n\nTunis\/Qatar <\/p>\n\n\n\n
TEMPORARY LIVES, by Wessam Hachicho<\/strong> <\/p>\n\n\n\n1st feature<\/em> <\/p>\n\n\n\nFrance\/Norway\/Syria <\/p>\n\n\n\n
THE GIRL AND THE MISSING BED, by Samer Battikhi<\/strong> <\/p>\n\n\n\n1st feature<\/em> <\/p>\n\n\n\nJordan\/Lebanon <\/p>\n\n\n\n
THE MIDDLE ONE, by Sarah Almuneef<\/strong> <\/p>\n\n\n\n1<\/em>st<\/sup><\/em> feature<\/em> <\/p>\n\n\n\nSaudi Arabia\/France <\/p>\n\n\n\n
THE NIGHT WHISPERER, by Lina Mahmoud<\/strong> <\/p>\n\n\n\n1<\/em>st<\/sup><\/em> feature<\/em> <\/p>\n\n\n\nSaudi Arabia <\/p>\n\n\n\n
THE SUN SEES EVERYTHING, by Wissam Tanios<\/strong> <\/p>\n\n\n\n2nd feature<\/em> <\/em> <\/p>\n\n\n\nLebanon <\/p>\n\n\n\n
The Red Sea Souk Work-In-Progress Showcase<\/strong>
<\/strong> <\/p>\n\n\n\nANIMALE, by Emma Benestan<\/strong> <\/p>\n\n\n\nAlgeria, France, Belgium <\/p>\n\n\n\n
MEN IN THE SUN, by Mahdi Fleifel<\/strong> <\/p>\n\n\n\nPalestine, UK, Greece, The Netherlands, France, Germany <\/p>\n\n\n\n
MY SEMBA, by Hugo Salvaterra<\/strong> <\/p>\n\n\n\n1st Feature<\/em> <\/p>\n\n\n\nAngola <\/p>\n\n\n\n
RED PATH, by Lotfi Achour<\/strong> <\/p>\n\n\n\nTunisia, France, Belgium, Poland <\/p>\n\n\n\n
RISING UP AT NIGHT, by Nelson Makengo <\/strong> <\/p>\n\n\n\n1st Feature, Creative Documentary<\/em> <\/p>\n\n\n\nDemocratic Republic of the Congo, Belgium, Germany, Burkina Faso <\/p>\n\n\n\n
YUNAN, by Ameer Fakher Eldin <\/strong> <\/p>\n\n\n\nPalestine, Germany, Canada, Italy, Jordan <\/p>\n","protected":false},"excerpt":{"rendered":"
The Red Sea International Film Festival (Red Sea IFF) has revealed full details of the projects selected as part of this year\u2019s Red Sea Souk Market which will run from 2-5 December, highlighting the diverse range of talent representing the MENA region\u2019s bold new cinematic output. A part of the Souk will be the 360\u00b0 […]<\/p>\n","protected":false},"featured_media":35455,"template":"","class_list":["post-35317","press","type-press","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/redseafilmfest.com\/en\/wp-json\/wp\/v2\/press\/35317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/redseafilmfest.com\/en\/wp-json\/wp\/v2\/press"}],"about":[{"href":"https:\/\/redseafilmfest.com\/en\/wp-json\/wp\/v2\/types\/press"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/redseafilmfest.com\/en\/wp-json\/wp\/v2\/media\/35455"}],"wp:attachment":[{"href":"https:\/\/redseafilmfest.com\/en\/wp-json\/wp\/v2\/media?parent=35317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}