{"id":12330,"date":"2021-11-14T23:08:37","date_gmt":"2021-11-14T23:08:37","guid":{"rendered":"https:\/\/redseafilmfest.com\/?page_id=12330"},"modified":"2022-09-01T07:40:45","modified_gmt":"2022-09-01T07:40:45","slug":"talent-days-previous","status":"publish","type":"page","link":"https:\/\/redseafilmfest.com\/en\/talent-days-previous\/","title":{"rendered":"Talent Days"},"content":{"rendered":"\t\t
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Talent Days<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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DECEMBER 12\u2014 13, 2021<\/strong><\/span><\/p>

\u00a0<\/strong><\/span><\/p>

Download the Talent Days Schedule<\/b><\/span><\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Taking place on December 7-8, Talent Days is the opportunity to develop skills and insight to take projects to the next level, touching on everything from production to financing. Led by industry experts invited to share their experience and give updated in film production, financing, and distribution. In various sessions across two days, they will share their industry expertise and inspiration to help emerging filmmakers expand their knowledge and skills for a competitive edge in the international market.<\/b><\/span><\/p>

Pre-registration is mandatory and open to producers, directors, or scriptwriters only. Capacity is strictly limited\u00a0to 250 participants, and access to the Talent Days is on a first-come-first-served basis.<\/b><\/span>
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WORKSHOPS<\/span><\/h1>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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DEC 12, 2021\u00a0 10:00 VENUE: PROJECT MARKET ROOM<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Business of Filmmaking + The International Film Circuit<\/strong><\/span><\/h1>

By Sydney Levine<\/b><\/span><\/span><\/p>

Combining art and business can be tricky but because filmmaking is a public art, its commercial viability is proof of success. Filmmakers need to understand how the business side of filmmaking works in order to put themselves into play as they create, then show and finally distribute their work to a public audience who pays and whose attention is the final judgement which determines the filmmaker\u2019s reputation.<\/span><\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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DEC 12, 2021\u00a0 12:30\u00a0 VENUE: PROJECT MARKET ROOM<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Film Criticism: How to Give it, How to Receive it<\/strong><\/h1>

By\u00a0<\/span>Fahad Alesta & Khalid Rabeei<\/b><\/span><\/span><\/p>

Film criticism helps films go beyond their intended audiences, encouraging critical thinking and deepening our understanding of films. It guides us about which film to watch, how to watch them.. and how to think about them. In this workshop, Fahad and Khalid give a thorough session on the delicate process of film criticism from both the giving and receiving ends.\u00a0<\/span><\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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DEC 13, 2021\u00a0 12:30 VENUE: PROJECT MARKET ROOM<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ABCs of Post-Production<\/strong><\/h1>

By\u00a0<\/span>Sahbi Kraiem & Nadia Touijer<\/b><\/span><\/span><\/p>

Sometimes perceived as a purely technical step, post production was wrongly dissociated from any artistic contribution consistent with the universe and the style of the film. Of course, the post-production chain must ensure technical coherence, but always in line with the point of view, style and artistic aspirations of the film and the director.\u00a0<\/span><\/p>

This workshop sets itself the objective of retracing the workflow of the post production, its\u00a0 needs,its requirements and it\u2019s various parameters. Always under the host’s supervision from the point of view of the choices of meaning which implies a scenario and an artistic vision of an author.<\/span><\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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SPECIAL SCREENING<\/b><\/span><\/h1>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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DEC 13, 2021\u00a0 10:00 – 12:00 VENUE: Souk Cinema<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Carnaval<\/b>\u00a0City w\/ Wael Abu Mansour<\/strong><\/h1>

By\u00a0<\/span>RSIFF<\/span><\/span><\/span><\/p>

Film synopsis: Masood decides to leave his town for good, but when his car breaks down en route, his plans begin to go awry. He tries to fix it in an auto shop owned by Sufyan, who disappears suddenly. Masood finds himself pursuing Sufyan in an abandoned theme park turned hotel that threatens to alter his life forever.\u00a0<\/span><\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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PANELS<\/span><\/h1>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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DEC 12, 2021\u00a0 11:30 VENUE: Souk Talks Room<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The Art of Nonfiction Storytelling<\/h1>
\u00a0<\/div>

Rania Rafei<\/p>

Fairouzeh Khosrovani<\/p>

Faisal Alotaibi<\/p>

Rashid Almasharawi\u00a0<\/p>

Moderator: Bentley Brown<\/strong><\/p>

This panel combines a diverse group of filmmakers, who told true stories in various typical and idiosyncratic ways. From the deeply personal to the purely observational, their films demonstrate how while the term \u201cdocumentary\u201d has refused to mean something consistent, its authenticity as a mode of seeing is what makes it an artform that the camera solely can never replace.\u00a0<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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DEC 12, 2021\u00a0 13:00\u00a0 VENUE: Souk Talks Room<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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COULD SAUDI FILM SCHOOLS FOLLOW THE FRENCH MODEL?<\/strong><\/span><\/p>

\u00a0<\/strong><\/span><\/p><\/div>

Charlotte Saurat
Julie Tingaud
Claude Mouri\u00e9ras
Raissa Lahcine<\/p>

Moderator: Jowaher Alamri\u00a0<\/strong><\/p>

\u00a0<\/strong><\/p>

Whether vocational training programs or graduate studies: challenges and ambitions. This is at the heart of this panel which brings together representatives of the best film schools in France. It will be a question of the practical methods in each school, and of the reflection on the cinema schools that the kingdom can accommodate.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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DEC 12, 2021\u00a0 14:00 – 15:00 VENUE: VOX Cinemas Souk<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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How Streaming is Disrupting Entertainment Media<\/b><\/h1>
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Khaled Benchouche – VP Content and Cofounder Starz Play<\/p>

Tareq Al Ibrahim \u2013 Director of MBC1 and Drama<\/p>

Karim Sarkis\u00a0<\/i>\u2013\u00a0<\/i>Partner, Strategy & Middle East<\/p>

Sheikha Al-Zain Al-Sabah – Chairperson and CEO, National Creative Industries Group<\/p>

Moderator: Houda Koussa<\/span><\/b><\/p>

\u00a0<\/b><\/span><\/p>

A discussion about the change in trends in the media industry and how streaming has and is disrupting traditional TV. Is this a lasting effect o is this a fad. Has the recent pandemic escalated the change in consumption or was this to be expected. These are just some of the issues raised during this in-depth discussion about the Media Industry. \u00a0<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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DEC 12, 2021\u00a0 14:30 VENUE: Souk Talks Room<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Arthouse + International Cinema<\/strong><\/h1>
\u00a0<\/strong><\/div>

Butheina Kazim (Cinema Akil, Dubai)<\/span><\/p>

Hania Mroue (Metropolis Cinema, Beirut)<\/span><\/p>

Talal Afifi (Sudan Film Factory, Khartoum)<\/span><\/p>

\u00a0Moderator: Zeina Sfeir<\/b><\/span><\/p>

\u00a0<\/b><\/span><\/p>

What is Arthouse cinema? What is an independent film? How are arthouse films distributed? How is arthouse cinema related to the International Film industry and the international film circuit? At what point does the niche market of an arthouse film transition into the commercial\u00a0realm?<\/span><\/p>

The speakers in this panel run arthouse cinemas in Dubai, Beirut, and Khartoum.\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

They’ll shed light on the relationship between arthouse cinema and international exhibition and distribution in their local and regional contexts.<\/span><\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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DEC 13, 2021\u00a0 10:00 VENUE: Souk Talks Room<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Writing for TV, Web, Cinema –\u00a0Hosted by Telfaz11<\/h1>
\u00a0<\/div>

Ali Kalthami<\/p>

Ibrahim Khairallah<\/p>

Meqdad Alkout\u00a0<\/p>

Malik Nejer\u00a0<\/p>

Moderator: Abdulrahman Khawj, Netflix<\/strong><\/p>

\u00a0<\/p>

Does writing for a YouTube channel differ from writing for the cinema or longer format such as episodic TV\/web series? What distinguishes a web series from a TV series? How is a YouTube sketch different from a short film?\u00a0We ask these timely questions with humility and a particular focus on the script. We\u2019ll hear first-hand experiences from experts in terms of how they navigate across various formats \u2013 and how their writing process adjusts to the exhibition platform. This conversation is relevant in our increasingly digital milieu and in this historic juncture (advent of cinema) \u2013 and it\u2019s also fitting to a wider international debate about post-COVID streaming and distribution.\u00a0<\/p>

\u00a0<\/div>

Ultimately, the moving image starts with the script. Does it matter where we see it?<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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DEC 13, 2021\u00a0 13:00 – 14:00 VENUE: Souk Talks Room<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Regional Content that Resonates – Sharing our Stories Globally<\/h1>
\u00a0<\/div>

Suha Al Khalifa \u2013 Writer, Bahrain, UK<\/p>

Hani Osama \u2013 The Producers, Egypt<\/p>

Mohamed Hefzy \u2013 Film Clinic, Egypt<\/p>

Moderator: Lina Matta<\/span><\/strong><\/div><\/div>

\u00a0<\/p>

Creating content that can travel, what is the magic. An in-depth analysis of storytelling and content in the region, is staying true to our own heritage and stories the key to alter perception and attract foreign audiences.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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DEC 13, 2021\u00a0 14:30 VENUE: Souk Talks Room<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Talashi Film Collective<\/h1>
\u00a0<\/div>

Mohammad Aldhahri\u00a0\u00a0<\/p>

Hussam Alhulwah<\/p>

Abdulmohsen Aldhabaan<\/p>

Fahad Alesta<\/p>

Moderator: Hana Alomair<\/strong><\/p>

\u00a0<\/p>

Founded in 2008, Talashi Film Collective brought 9 young professionals in their mid-late 20s together to make short films to screen in film festivals of neighboring countries a decade before cinemas opened in Saudi Arabia. Talashi produced numerous shorts, including Sunrise\/Sunset (2009), which won both the Muhr Arab Special Mention and the FIPRESCI Prize awards at the Dubai International Film Festival in 2009.<\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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KEYNOTES (Hosted by MBC Group)<\/b><\/span><\/h1>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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DEC 12, 2021\u00a0 10:00-11:00 VENUE: VOX Cinemas Souk<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Keynote: Hani Abu Asaad\u00a0<\/b><\/p>

Language: EN<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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DEC 12, 2021\u00a0 11:30-12:30 VENUE: VOX Cinemas Souk<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Keynote: Chris Keyser<\/b><\/p>

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DEC 13, 2021\u00a0 10:00-11:00 VENUE: Project Market Room<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Keynote:\u00a0Mohammed Al-Daradji<\/b><\/p>

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DEC 13, 2021\u00a0 11:30-12:30 VENUE: Souk Talks Room\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Keynote: Cherien Dabis<\/b><\/p>

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MASTERCLASSES<\/span><\/h1>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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DEC 12, 2021\u00a0 10:00 – 12:00 VENUE: VOX Al-Balad 2<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Making short film w\/ Claude Mouri\u00e9ras (CineFabrique)<\/strong><\/p>

Registration \u2190 via\u00a0talentdays@redseafilmfest.com<\/span><\/a><\/p>

Language: EN<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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DEC 12, 2021\u00a0 15:30 – 17:00 VENUE: SOUK TALKS ROOM<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Acting + Casting<\/strong><\/p>

(hosted by MBC Academy)<\/p>

Osama Alqess<\/p>

Language: AR<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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DEC 13, 2021\u00a0 15:30 – 17:00 VENUE: SOUK TALKS ROOM<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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XR Storytelling + Content Creation<\/strong><\/p>

(hosted by Ithra)<\/p>

Filipe Martin Gomes\u00a0<\/p>

Simon Benson\u00a0<\/p>

Language: EN<\/p>

\u00a0<\/strong><\/p>

The Immersive Storytelling Masterclass will explore how narratives have been developing into a key approach to engage audiences and generate valuable experiences. Storytelling is fundamentally altering the way people interact with each other and captivate audiences. The masterclass will introduce the theme, will take the audience in the storytelling development journey and will engage the audience in an open discussion about how to use this narrative tool to create empathy.\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

DECEMBER 12\u2014 13, 2021 \u00a0 Download the Talent Days Schedule Taking place on December 7-8, Talent Days is the opportunity to develop skills and insight to take projects to the next level, touching on everything from production to financing. Led by industry experts invited to share their experience and give updated in film production, financing, […]<\/p>\n","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":101,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-12330","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/redseafilmfest.com\/en\/wp-json\/wp\/v2\/pages\/12330","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/redseafilmfest.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/redseafilmfest.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/redseafilmfest.com\/en\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/redseafilmfest.com\/en\/wp-json\/wp\/v2\/comments?post=12330"}],"version-history":[{"count":109,"href":"https:\/\/redseafilmfest.com\/en\/wp-json\/wp\/v2\/pages\/12330\/revisions"}],"predecessor-version":[{"id":16017,"href":"https:\/\/redseafilmfest.com\/en\/wp-json\/wp\/v2\/pages\/12330\/revisions\/16017"}],"wp:attachment":[{"href":"https:\/\/redseafilmfest.com\/en\/wp-json\/wp\/v2\/media?parent=12330"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}